| Qiwei Zhang Aktuell | Arbeiten | Vita | Texte | Kontakt |
||||||
| 2022 | 2021 | 2020 | 2019 | 2018 | 2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | ||||||
| 2014 | ||||||
![]() |
![]() |
![]() |
![]() |
|||
| encroach no.9 | encroach no.8 |
Ausstellung | Josef Kossuth's |
|||
![]() |
![]() |
![]() |
![]() |
|||
| multiparity no.1 | multiparity no.2 | multiparity no.3 | 213g + 203g + 244g | |||
![]() |
![]() |
![]() |
![]() |
|||
| Modernisierung | Boot | Stempel | Masturbation der Museen | |||
![]() |
![]() |
![]() |
![]() |
|||
| 5 - 4 | Fleichfarbe | Window | Traction | |||
![]() |
![]() |
![]() |
||||
| Road 25 | Babel | sleep well | ||||